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\u015eair Y\u0131lmaz Odaba\u015f\u0131 ile R\u00f6portaj<\/strong><\/em><\/p>\n\n\n\n <\/p>\n\n\n\n ED\u0130T\u00d6RDEN<\/strong><\/p>\n\n\n\n Bu r\u00f6portaj, yas\u0131 yaln\u0131zca psikolojik bir h\u00e2l olarak de\u011fil; dil, bellek ve kamusal deneyim i\u00e7inde \u015fekillenen \u00e7ok katmanl\u0131 bir s\u00fcre\u00e7 olarak ele almak i\u00e7in bir \u015fairle yap\u0131ld\u0131. \u00c7\u00fcnk\u00fc edebiyat klinik dilin yetmedi\u011fi yerde s\u00f6ze girerken; kayb\u0131 s\u0131n\u0131flamadan, ona e\u015flik etmektedir. Psikopolitik<\/strong> ile Y\u0131lmaz Odaba\u015f\u0131’n\u0131n<\/strong> bu kar\u015f\u0131la\u015fmas\u0131, yas\u0131n d\u00fc\u015f\u00fcnsel ve k\u00fclt\u00fcrel boyutlar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaktad\u0131r.\u00a0 1-\u00a0 Erkekler i\u00e7in a\u011flaman\u0131n yasakland\u0131\u011f\u0131 bir k\u00fclt\u00fcrde, erkek bir \u015fair i\u00e7in yas nas\u0131l ya\u015fan\u0131r ve nas\u0131l yaz\u0131l\u0131r?<\/strong> Yas hali, fiziksel tepkiler vermekten \u00e7ok \u00f6zde i\u00e7sel bir durumdur. Zaten a\u011flamak ve ya ba\u011f\u0131rmak \u00e7a\u011f\u0131rmak gibi tepkiler de ruhun yara alm\u0131\u015f yas halinin d\u0131\u015favurumudur. Sorunuza gelirsek, \u201cErkek bir \u015fair i\u00e7in yas nas\u0131l (m\u0131) ya\u015fan\u0131r?\u201d<\/strong> Yas, \u00f6nce b\u00fcy\u00fck bir ruhsal sars\u0131lma hali olarak yukar\u0131da da vurgulad\u0131\u011f\u0131m gibi i\u00e7sel olarak ya\u015fan\u0131r. Gerisi, bilinen, kan\u0131ksanm\u0131\u015f toplumsal-geleneksel rit\u00fceller yas\u0131n bir t\u00fcr g\u00f6steri\u015f boyutudur. Taziye vb. t\u00fcm\u00fc \u00f6z\u00fcnde bir toplumsal dayan\u0131\u015fma ile yas\u0131 sa\u011faltmak i\u00e7indir.<\/p>\n\n\n\n Ben ise gerek bireysel gerek toplumsal her t\u00fcr yas\u0131 kendi i\u00e7imde ya\u015far ve ya\u015fat\u0131r\u0131m. Kalbim, bir t\u00fcr yas koleksiyon at\u00f6lyesi gibidir. Kay\u0131plar\u0131m ve onlarla birlikte haf\u0131zam, bu yas odas\u0131n\u0131 zaman zaman ziyaret eder. Kimilerini anar, kimilerini bulundu\u011fu yerden \u00e7\u0131kar\u0131p yazar\u0131m. Yas hali, bir yaz\u0131, bir deneme veya bir \u015fiirle yeniden ifade edilip estetize edilerek somutluk kazan\u0131ncaya kadar tamamen \u00f6zneldir. Ta ki yaz\u0131lan o sat\u0131rlar veya dizelerle \u00f6zde\u015fle\u015ferek onu i\u00e7selle\u015ftiren bir ba\u015fkalar\u0131yla bulu\u015funcaya kadar. Sonra o \u00f6znellik, ba\u015fkalar\u0131yla bulu\u015fur ve onlar\u0131n da yas\u0131n\u0131n, kendi ruhsal sars\u0131nt\u0131lar\u0131n\u0131n izlerini s\u00fcrd\u00fckleri bir kar\u015f\u0131l\u0131\u011fa kavu\u015fur\u2026\u00a0 3 – A\u015fk kayb\u0131 ile \u00f6l\u00fcm kayb\u0131 edebiyatta nas\u0131l ayr\u0131\u015f\u0131r?<\/strong> Sonu\u00e7ta ikisi de kay\u0131p duygusu; a\u015fk \u00f6znenin kayb\u0131, sevilen ve yeri doldurulamaz birinin kayb\u0131- insanlar i\u00e7in hayli\u00a0 sars\u0131c\u0131 ve travmatik durumlard\u0131r. Yazarken de insanl\u0131\u011f\u0131n trajedileri kapsam\u0131nda ve yaz\u0131lan konuyu yazar\u0131n betimleme tercihi ve yetisine orant\u0131l\u0131 bi\u00e7imde ifade edilirler diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n\n\n\n <\/p>\n\n\n\n 4 – Yaz\u0131, belle\u011fin ta\u015f\u0131yamad\u0131\u011f\u0131 y\u00fckleri \u00fcstlenebilir mi?<\/strong> <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n\n\n <\/p>\n\n\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" \u015eair Y\u0131lmaz Odaba\u015f\u0131 ile R\u00f6portaj ED\u0130T\u00d6RDEN Bu r\u00f6portaj, yas\u0131 yaln\u0131zca psikolojik bir h\u00e2l olarak de\u011fil; dil, bellek ve kamusal deneyim i\u00e7inde \u015fekillenen \u00e7ok katmanl\u0131 bir s\u00fcre\u00e7 [\u2026]<\/span><\/p>\n","protected":false},"author":270452333,"featured_media":4579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"[]","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1632,1367],"tags":[1486,1461,1487,1472,1482,1400,1484],"class_list":["post-4566","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-roportaj","tag-edebiyatta-yas-ve-bellek","tag-feminizm","tag-psikolojide-yas-surecleri","tag-sanat","tag-yas","tag-yas-tutmak","tag-sair"],"yoast_head":"\n
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<\/strong><\/strong>Erkekler i\u00e7in a\u011flaman\u0131n yads\u0131nmas\u0131 vb. verili k\u00fclt\u00fcrel kodlar, ya\u015farken de, yazarken de bir yazar\u0131 ba\u011flay\u0131c\u0131 olamaz ya da olmamal\u0131d\u0131r. Ancak sadece bizim k\u00fclt\u00fcrel ko\u015fullar\u0131m\u0131zda, yani lokal olarak de\u011fil, d\u00fcnyada da erkeklerin a\u011flamas\u0131 zay\u0131fl\u0131k olarak alg\u0131lan\u0131r. Asl\u0131nda erkeklerde de mask\u00fclen kodlarla orant\u0131l\u0131 olmasa da k\u0131smen bast\u0131r\u0131lm\u0131\u015f feminen duyarl\u0131klar vard\u0131r. \u00c7o\u011fu erkek bu yan\u0131n\u0131 g\u00f6stermekten \u00f6zenle imtina eder. Oysa olduk\u00e7a insanidir ve \u00f6z\u00fcnde bunlar ortak evrensel-insani duyarl\u0131klard\u0131r. <\/p>\n\n\n\n
2 – Bir kayb\u0131 yaz\u0131ya d\u00f6kmek, onu yeniden ya\u015famak m\u0131d\u0131r?<\/strong>
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<\/strong><\/strong>Bu sorunuzun yukar\u0131daki yan\u0131t\u0131mla da bir ilintisi var. Yas\u0131n duyarl\u0131\u011f\u0131n\u0131 yaz\u0131 ile ifade etmek, i\u00e7selle\u015fmi\u015f o yas halini yeniden ya\u015famaktan \u00e7ok yeniden ya\u015fatmay\u0131 g\u00f6zetir. \u00d6znel olan\u0131 toplumsal duyarl\u0131kla bulu\u015fturmay\u0131 ama\u00e7lar. Yas duygusu, zamanla evrimler ge\u00e7iren bir insanl\u0131k halidir. Hi\u00e7bir yas, ya\u015fand\u0131\u011f\u0131 zaman\u0131n, an\u2019\u0131n ilk sars\u0131nt\u0131s\u0131yla oturmaz. Zaman,\u00a0 pek \u00e7ok\u00a0 \u015fey gibi yas\u0131 da sa\u011falt\u0131r. Ya\u015fatt\u0131\u011f\u0131,\u00a0 bo\u011fucu sars\u0131nt\u0131 hali, defalarca y\u00fczle\u015fmeler sonucu zamanla yerini buruk an\u0131msamalara b\u0131rak\u0131r. Ancak, yazarken yas halinin ilk evresini ifade edebilmek ve bu duyarl\u0131\u011f\u0131 okura oldu\u011fu gibi ta\u015f\u0131yabilmek \u00f6nemlidir. Burada da duygular\u0131 ve o ger\u00e7ekli\u011fi sahici, hilesiz t\u00fcmcelerle anlatmak gerekti\u011fine inan\u0131yorum.<\/p>\n\n\n![\"\"](\"https:\/\/i0.wp.com\/psikopolitikdergi.com\/wp-content\/uploads\/2026\/02\/file_00000000bb7c71fda04e1b2c5eebf8c6.png?resize=800%2C1200&ssl=1\")
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<\/strong><\/strong><\/strong>\u0130nsanlar, ya\u015fad\u0131k\u00e7a; hayatla ve zamanla s\u0131nand\u0131k\u00e7a kay\u0131plar da ya\u015fayan sosyal bir varl\u0131kt\u0131r. A\u015fk kayb\u0131 da, \u00f6l\u00fcm de insanlarda farkl\u0131 yoksunluklarla sars\u0131nt\u0131lar ve izler b\u0131rak\u0131r. Bu duyarl\u0131klar\u0131n ayr\u0131\u015ft\u0131r\u0131lmas\u0131n\u0131n bireyin ki\u015fisel ruh haliyle direkt ilgisi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum; yazarken ayr\u0131\u015ft\u0131r\u0131lmas\u0131n\u0131n ise, birinin bir di\u011ferinden daha dominant oldu\u011fuyla ilgili olmay\u0131p, yaz\u0131lan\u0131n olay \u00f6rg\u00fcs\u00fcyle, yazar\u0131n se\u00e7ti\u011fi temayla ilgili oldu\u011fu fikrindeyim. Bir yaz\u0131mda \u015f\u00f6yle demi\u015ftim: <\/strong>\u201cBen iki \u015feyin apans\u0131z geldi\u011fine inan\u0131r\u0131m: A\u015fk ve \u00f6l\u00fcm. \u0130kisi de geldi\u011finde \u2018git\u2019 diyemezsiniz. \u0130kisinin de \u00f6nemi ve b\u00fcy\u00fckl\u00fc\u011f\u00fc, belki de geldiklerinde git diyemedi\u011fimiz i\u00e7indir\u2026\u201d <\/em><\/strong><\/p>\n\n\n\n
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<\/strong><\/strong><\/strong>Yaz\u0131, zaman\u0131n ve belle\u011fin ta\u015f\u0131mad\u0131\u011f\u0131 ya da ta\u015f\u0131yamad\u0131\u011f\u0131 y\u00fckleri \u00fcstlenmek ve ifade etmekten ger\u00e7ekten sorumludur. Bir an\u0131msama-an\u0131msatma amac\u0131yla ya da\u00a0 insan\u0131 yeniden y\u00fczle\u015ftirme kayg\u0131s\u0131yla ve daha pek \u00e7ok nedenle sorumludur. Haf\u0131za, insan i\u00e7in hep bir y\u00fckt\u00fcr; yaz\u0131 i\u00e7in de zaman\u0131n ve belle\u011fin \u00f6teledi\u011fi \u00f6l\u00fc a\u00e7\u0131lar t\u0131pk\u0131 insan\u0131n haf\u0131zas\u0131ndan sorumlu oldu\u011fu gibi\u00a0 kan\u0131mca yaz\u0131n\u0131n da sorumlulu\u011fudur\u2026<\/p>\n\n\n\n
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