{"id":7767,"date":"2026-05-26T01:49:19","date_gmt":"2026-05-25T22:49:19","guid":{"rendered":"https:\/\/psikopolitikdergi.com\/?p=7767"},"modified":"2026-05-26T08:02:11","modified_gmt":"2026-05-26T05:02:11","slug":"kaybedenler-kulubunde-sarki-soylemek","status":"publish","type":"post","link":"https:\/\/psikopolitikdergi.com\/2026\/05\/26\/kaybedenler-kulubunde-sarki-soylemek","title":{"rendered":"Kaybedenler Kul\u00fcb\u00fc’nde \u015eark\u0131 S\u00f6ylemek"},"content":{"rendered":"\n

\u00a0<\/p>\n\n\n\n

R\u00f6portaj: G\u00fclce Duru I Sanat\u00e7\u0131<\/strong><\/p>\n\n\n

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ED\u0130T\u00d6RDEN<\/strong><\/p>\n\n\n\n

90\u2019lar\u0131n gecelerinde bir radyo frekans\u0131ndan yay\u0131lan o ses, yaln\u0131zca bir program de\u011fildi; uyumsuzlar\u0131n, uykusuzlar\u0131n, kaybolmu\u015f hissedenlerin s\u0131\u011f\u0131nd\u0131\u011f\u0131 alternatif bir evrendi.<\/em><\/p>\n\n\n\n

Kaybedenler Kul\u00fcb\u00fc filminin efsanele\u015fen \u015fark\u0131s\u0131 My Woman’\u0131n bestecisi ve vokalisti G\u00fclce Duru ile yap\u0131lan bu r\u00f6portaj, bir radyo program\u0131n\u0131n neden h\u00e2l\u00e2 kolektif haf\u0131zada ya\u015fad\u0131\u011f\u0131n\u0131; melankoli, aidiyet, \u015fehirli yaln\u0131zl\u0131k ve \u00f6zg\u00fcrl\u00fck arzusu \u00fczerinden yeniden d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor<\/em><\/p>\n\n\n\n

Sizce Kaybedenler Kul\u00fcb\u00fc neden bir ku\u015fa\u011f\u0131n haf\u0131zas\u0131nda bu kadar yer etti?<\/strong><\/p>\n\n\n\n

Kent Fm\u2019de 1996-2001 aras\u0131 yay\u0131nlanan radyo program\u0131ndan bahsediyorsak e\u011fer, derinden etkilenen tek bir ku\u015faktan bahsedemeyiz bence. Ben ilk dinledi\u011fimde 14 ya\u015f\u0131mdayd\u0131m ortaokulda, lise son s\u0131n\u0131fa dek dinledim sonra. \u00dcniversite \u00e7a\u011f\u0131nda olan da vard\u0131, 30\u2019lar\u0131nda, 40\u2019lar\u0131nda ve daha \u00f6tesi belki. Bence bununla ilgili kendi gen\u00e7li\u011fimin haf\u0131zas\u0131ndan yola \u00e7\u0131karak cevap vermem daha do\u011fru olur.<\/p>\n\n\n\n

\u0130ki adam, sigaralar\u0131n\u0131 yak\u0131p, bir yandan demlenip, daha \u00f6nce kimsenin cesaret edemedi\u011fi \u015feyler konu\u015fuyorlar yay\u0131nda. Sadece m\u00fcstehcen muhabbetler de\u011fil kast\u0131m, onlar zaten tabu deviriyor. \u015eoklardan \u015foklara s\u00fcr\u00fcklenip k\u0131k\u0131rd\u0131yoruz.Al\u0131\u015f\u0131lageldik yay\u0131nlar\u0131n aksine m\u00fcthi\u015f bir samimiyet var, baya\u011f\u0131 duygular mevzu bahis asl\u0131nda, var olman\u0131n sanc\u0131lar\u0131, k\u0131r\u0131lganl\u0131klar, mizah\u0131n, mavran\u0131n alt metninde k\u0131p\u0131rd\u0131yor.\u00a0<\/p>\n\n\n\n

Hi\u00e7 duymad\u0131\u011f\u0131m\u0131z m\u00fczikler, kitaplardan bahisler kula\u011f\u0131m\u0131za \u00e7al\u0131n\u0131yor. Adamlar acayip geyik \u00e7eviriyor, \u201cmanyak m\u0131 bunlar\u201d diyorsun, bir yandan \u015fa\u015f\u0131r\u0131yorsun, bir yandan \u00e7ok \u015feyler \u00f6\u011freniyorsun, d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor sonra, ke\u015fifler, fikirler, kahkahalar\u2026 \u201cYa bunlar dalga ge\u00e7iyor bizimle, ama \u00e7ok ciddi mevzular d\u00f6n\u00fcyor\u2026 Anlamasam da ho\u015fuma gidiyor bazen, neler oluyor\u201d?<\/p>\n\n\n\n

\u00c7ok \u015fey biliyorlar ama \u00f6yle didaktik \u015fekilde de\u011fil de yormadan, laf\u0131n aras\u0131nda payla\u015f\u0131yorlar, pe\u015fine d\u00fc\u015f\u00fcyorum. Felsefe, \u00e7e\u015fit \u00e7e\u015fit edebiyat, Beat ku\u015fa\u011f\u0131 yazarlar\u0131, 6:45 yay\u0131nlar\u0131, \u00e7ok acayip kitaplar, al\u0131yorum, okuyorum. Beatniklere \u00f6zenip otostopla g\u00fcneye iniyorum sonra lise zaman\u0131\u2026 Rock, Blues, Country, Caz, yerli m\u00fczik daha \u00f6nce dinlemedi\u011fim her t\u00fcrl\u00fcs\u00fcnden, eski 45\u2019likler\u2026 Olabilecek en heterojen en kozmopolit ve demokratik k\u00fclt\u00fcr ya\u011fmuru burada; h\u0131zla t\u00fcketmeden, tad\u0131n\u0131 \u00e7\u0131kara \u00e7\u0131kara ufkumuz ar\u015fa de\u011fiyor.<\/p>\n\n\n

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Ba\u015fka tan\u0131d\u0131k muhabbetler de var, hayattan i\u015fte; g\u00f6steri\u015fsiz, hakiki, yak\u0131n geliyor\u2026\u00a0Ben var\u0131m, gecenin k\u00f6r\u00fcnde uyumam\u0131\u015f, bir \u015feyin, pek \u00e7ok \u015feyin hasretini \u00e7ekiyorum. Yapayaln\u0131z\u0131m, kocaman evrende, anla\u015f\u0131lamamaktan, duyulmamaktan, yarg\u0131lanmaktan muzdarip k\u00fc\u00e7\u00fcc\u00fck d\u00fcnyama s\u0131\u011f\u0131nm\u0131\u015f\u0131m ergenli\u011fimce. Kaybolmu\u015fum ve ba\u015ftan kaybetmi\u015fim gibi. Ba\u015fka k\u00fc\u00e7\u00fcc\u00fck d\u00fcnyalar da varm\u0131\u015f ve tuhaf gezegenler, g\u00f6k cisimleri, demek ki bu da bizim alternatif evrenimiz\u2026 Mumlar\u0131 yak\u0131yorum, y\u00fcr\u00fctt\u00fc\u011f\u00fcm sigaralar\u0131 i\u00e7iyorum sabaha kar\u015f\u0131. Yar\u0131n okul var, kimin umrunda!<\/p>\n\n\n\n

Acayip acayip laflar var, akla kaz\u0131n\u0131yor, dilimize pelesenk\u2026 Aram\u0131zda s\u00f6yl\u00fcyoruz, biz bizi kolayl\u0131kla tan\u0131r\u0131z, Beyo\u011flu\u2019nda Kad\u0131k\u00f6y\u2019de, pasajlarda, sokakta, barlarda\u2026 Yay\u0131na ba\u011flananlarla \u00e7ok komik muhabbetler oluyor tersliyorlar da bozuyorlar da bazen, bazen de i\u00e7ten, derin, a\u011f\u0131r hatta, bir durup i\u00e7 ge\u00e7iriyoruz\u2026 Cesaret edip ke\u015fke ben de arasam. Kesin dalga ge\u00e7erler benimle.<\/p>\n\n\n\n

Ve bir g\u00fcn uzaktan da olsa o efsane adamlar\u0131 g\u00f6r\u00fcyorum. Beyo\u011flu\u2019nda her okul \u00e7\u0131k\u0131\u015f\u0131 birbirini bulan kendince asi, \u00e7ok bilmi\u015f, saftirik \u00e7ocuklar\u0131z. \u00c7ok okuyoruz, \u00e7ok m\u00fczik dinliyoruz, \u00e7ok konu\u015fuyoruz, hayallerimiz var. G\u00fczel Marmara ve hatta Buzba\u011f\u2019\u0131n plastik t\u0131palar\u0131 var o vakit, bira da sudan ucuz. Re\u015fit olmaya daha \u00e7ok var, yine de barlara giriyoruz ak\u015fam\u00fcstleri. <\/p>\n\n\n\n

Ben neo-hippie yim bir \u00e7e\u015fit, Janis Joplin\u2019e \u00f6zeniyorum, ikinci el giyiniyorum, \u015fark\u0131 s\u00f6yl\u00fcyorum sokaklarda. Abdullah Soka\u011fa kap\u0131 a\u011f\u0131zlar\u0131nda i\u00e7meye gidiyoruz k\u0131zl\u0131 erkekli, bir okul \u00e7\u0131k\u0131\u015f\u0131nda. Soka\u011f\u0131n di\u011fer ucunda iki cool adam, park halindeki motorlar\u0131na yakla\u015f\u0131p hareket etmeye haz\u0131rlan\u0131yorlar.\u00a0 \u201cAa, Kaan\u2019la Mete\u201d diyor biri, \u201c Kaybedenler Kul\u00fcb\u00fc\u201d nden. Aaaaa! Artlar\u0131ndan bakakal\u0131yorum. Y\u0131llar sonra onlarla tan\u0131\u015faca\u011f\u0131mdan, kitlelerce bilinecek, k\u00fclt olacak filmdeki hikayelerine s\u00f6z ve ses olaca\u011f\u0131mdan bir haberim.<\/p>\n\n\n\n

Velhas\u0131l, \u201cKaybedenler Kul\u00fcb\u00fc\u201d ruh haliyle, mekanlar\u0131yla 90\u2019lar \u0130stanbul\u2019u demek, d\u00f6nemin alternatif k\u00fclt\u00fcr\u00fc demek. Ge\u00e7irdi\u011fimiz son analog zamanlar demek, eski T\u00fcrkiye demek\u2026 Film yay\u0131nland\u0131\u011f\u0131nda m\u00fcthi\u015f bir nostalji ve hayranl\u0131kla kucaklan\u0131p k\u00fclt oluvermesi de biraz bu y\u00fczden bence. B\u00f6ylece o d\u00f6neme yeti\u015fememi\u015f yeni ku\u015faklar i\u00e7in de \u00f6nemli bir yer edindi san\u0131r\u0131m.<\/p>\n\n\n\n

Radyoda yap\u0131lan o samimi ve filtresiz konu\u015fmalar size ger\u00e7ek hayatta neyi hat\u0131rlat\u0131yor?<\/strong><\/strong><\/p>\n\n\n\n

Cevap soruda gizli asl\u0131nda\u263a\u00a0 Ger\u00e7ek hayat hissini ya\u015fatan konu\u015fmalard\u0131 onlar. Dinleyici birebir kendi ger\u00e7ekli\u011fini yakalayamasa bile, Kaan ve Mete\u2019nin hayat\u0131n i\u00e7inden sohbetlerine yan\u0131ba\u015flar\u0131ndan tan\u0131kl\u0131k etme hissini ya\u015fam\u0131\u015ft\u0131r. Onlar aralar\u0131nda aynen \u00f6yle konu\u015fan insanlard\u0131. Performatif olmayan, samimiyetin sahtece sergilenmeye \u00e7al\u0131\u015f\u0131lmad\u0131\u011f\u0131 bir programd\u0131. Sempatik ya da politik do\u011frucu olma kayg\u0131s\u0131 g\u00fctm\u00fcyorlard\u0131. Sosyal medyan\u0131n, alternatif yay\u0131n alanlar\u0131n\u0131n olmad\u0131\u011f\u0131 bir d\u00f6nemde sans\u00fcr s\u0131n\u0131rlar\u0131n\u0131 bir hayli zorlad\u0131lar.<\/p>\n\n\n\n

Sizce Kaybedenler Kul\u00fcb\u00fc\u2019nde radyo yaln\u0131zca bir yay\u0131n alan\u0131 m\u0131yd\u0131, yoksa insanlar\u0131n aidiyet kurdu\u011fu duygusal bir mek\u00e2n m\u0131yd\u0131?<\/strong><\/strong><\/p>\n\n\n

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Duygusal bir aidiyet mekan\u0131yd\u0131 tabii ki. Di\u011fer radyo yay\u0131nlar\u0131na pek benzer bir taraf\u0131 yoktu.\u201cKaybedenler Kul\u00fcb\u00fc\u201d yay\u0131nland\u0131\u011f\u0131 d\u00f6nemde; rekabetin, h\u0131rs\u0131n, hayatta kazanman\u0131n, stat\u00fcn\u00fcn \u00f6v\u00fcld\u00fc\u011f\u00fc ve \u015fart ko\u015fuldu\u011fu bir d\u00fczende, bir t\u00fcrl\u00fc uyumlanamad\u0131\u011f\u0131n\u0131 hisseden, kendini bu yar\u0131\u015fta yenilmi\u015f, d\u0131\u015flanm\u0131\u015f g\u00f6ren, birer \u201ckaybeden\u201d gibi hisseden insanlar\u0131 kendine \u00e7ekip, onlara yaln\u0131z olmad\u0131klar\u0131n\u0131 ve o ayr\u0131ks\u0131 hallerinin de asl\u0131nda sorun olmad\u0131\u011f\u0131n\u0131 hissedecekleri bir alan yaratt\u0131 san\u0131r\u0131m. \u015eartlar\u0131n ve beklentilerin y\u00fck\u00fcyle t\u00fckenenlerin, bunlar\u0131 reddedip, \u00f6zg\u00fcr hissedebilecekleri anlar sa\u011flad\u0131.<\/p>\n\n\n\n

Kaan ve Mete toplumsal normlara kar\u015f\u0131 tav\u0131r alm\u0131\u015f; paraya, stat\u00fcye s\u0131rtlar\u0131n\u0131 d\u00f6nm\u00fc\u015f, ba\u011f\u0131ms\u0131zl\u0131klar\u0131na, \u00f6zg\u00fcrl\u00fcklerine ve \u00f6zg\u00fcn olmaya \u00f6ncelik vermi\u015f, entelekt\u00fcel olarak yetkin ve hayat\u0131 hakk\u0131n\u0131 vererek ya\u015fayan iki insan olarak g\u00f6r\u00fcld\u00fcler.Bu \u201ckaybeden\u201d ifadesini, k\u00fc\u00e7\u00fclt\u00fcc\u00fc olmaktan \u00e7\u0131kar\u0131p, onu edebiyat, m\u00fczik, sanat, felsefe, insan hikayeleri ve kendi tecr\u00fcbeleriyle harmanlad\u0131klar\u0131 (ciddiyetle mizah\u0131n s\u0131n\u0131rlar\u0131n\u0131n birbirine kar\u0131\u015ft\u0131\u011f\u0131) s\u00f6ylemleriyle bamba\u015fka bir yere ta\u015f\u0131d\u0131lar.\u00a0<\/p>\n\n\n\n

\u201cKaybeden olma\u201dn\u0131n bir felsefesi, bir varolu\u015f bi\u00e7imi vard\u0131 art\u0131k. Bu yetersizlik ya da kurban olma hali de\u011fil, durmadan dayat\u0131lan o kazanma \u015fart\u0131n\u0131n ve bedellerinin bilin\u00e7li bir \u015fekilde reddiydi. Bu yoz d\u00fczende bu \u015fartlardaki anlams\u0131z yar\u0131\u015fta yenilmeyi vakurla kabul edebilmek gibi bir nevi\u2026 Bir tercih, bir duru\u015f meselesi.<\/p>\n\n\n\n

\u0130nsanlar belki g\u00fcnl\u00fck hayatta dile getirmedikleri, duymad\u0131klar\u0131 \u015feyleri duyuyorlar, yay\u0131na ba\u011flan\u0131p dillendiriyorlard\u0131, ama ciddi, ama gayr\u0131 ciddi, seslendiriliyordu pek \u00e7ok \u015fey. Ortaya d\u00f6k\u00fcl\u00fcyor, o da hem \u00e7ok ki\u015fisel hem de toplu bir ar\u0131nma hissi yarat\u0131yordu. Tam da buradan bir \u201cortak kimlik\u201d, bir \u201ctopluluk\u201d hissi do\u011fuyordu, ad\u0131 \u00fcst\u00fcnde \u201cKul\u00fcp\u201d.\u00a0\u00a0 Ve ortak bir dil, bir jargon mevcuttu. En basitinden \u201cn\u2019aber\u201d sorusuna verilen kinayeli \u201cstandart\u201d cevab\u0131 gibi. Ortak dil, ortak kelimeler her zaman aidiyet yarat\u0131r.<\/p>\n\n\n\n

Bu, gecenin k\u00f6r\u00fcnde birbirini tan\u0131mayan bamba\u015fka insanlar\u0131n \u00e7e\u015fit \u00e7e\u015fit duyguda\u015fl\u0131\u011f\u0131 ya\u015fad\u0131\u011f\u0131, \u015fakadan da ba\u015flasa \u201cAum\u201d \u00e7ekip uludu\u011fu bir ar\u0131nma yeriydi. Buras\u0131 uyumsuzlar\u0131n kendini evinde hissetti\u011fi kabileydi\u2026Program sadece bir deneyim ortakl\u0131\u011f\u0131 de\u011fil, payla\u015f\u0131lan, geni\u015fleyen bir k\u00fclt\u00fcr alan\u0131yd\u0131 ayn\u0131 zamanda. Bana oldu\u011fu gibi, pek \u00e7ok ki\u015fiye yeni ufuklar a\u00e7m\u0131\u015ft\u0131r, eminim.<\/p>\n\n\n\n

\u201cMy Woman\u201d\u0131n ge\u00e7ti\u011fi sahneleri ilk izledi\u011finizde ne hissetmi\u015ftiniz?<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Filmin galas\u0131nda izledim muhtemelen. Filmi izleme heyecan\u0131mla, yapt\u0131\u011f\u0131m\u0131z m\u00fczikleri filmde duyman\u0131n heyecan\u0131 birbirine kar\u0131\u015fm\u0131\u015ft\u0131. Allak bullak, karmakar\u0131\u015f\u0131k, gururlu ve a\u011flak\u2026<\/p>\n\n\n\n

\u015eark\u0131y\u0131 ilk kaydetti\u011finiz d\u00f6nemi bug\u00fcn nas\u0131l hat\u0131rl\u0131yorsunuz?<\/strong><\/strong><\/p>\n\n\n

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Bunu lay\u0131k\u0131yla anlatabilmek i\u00e7in biraz \u00f6ncesine gitmem laz\u0131m.Ben lise zaman\u0131nda m\u00fczik yap\u0131yordum, sokakta, baz\u0131 mekanlarda. \u00dcniversite i\u00e7in Paris\u2019e gittim, Plastik Sanatlar okudum. D\u00f6nd\u00fcm sonra. Liseden sonra 10 y\u0131l m\u00fczikle ha\u015f\u0131r ne\u015fir olmam\u0131\u015ft\u0131m. \u201cKaybedenler Kul\u00fcb\u00fc\u201d filmi \u00e7ekildi\u011fi d\u00f6nem tesad\u00fcfen dahil oldum ekibe. Kad\u0131n vokal istemi\u015fti sevgili y\u00f6netmen Tolga \u00d6rnek. M\u00fczikte bir kariyer d\u00fc\u015f\u00fcnm\u00fcyordum, sanat galerisinde \u00e7al\u0131\u015f\u0131p m\u00fczecilik alan\u0131nda y\u00fcksek lisans yap\u0131yordum.\u00a0 Her \u015fey ani oldu, vokal olarak dahil oldum, kendimi \u015fark\u0131lar\u0131n yap\u0131l\u0131\u015f s\u00fcrecinde buldum.<\/p>\n\n\n\n

\u201cMy Woman\u201d \u0131n s\u00f6zlerini yazd\u0131\u011f\u0131m ak\u015fam\u0131 hat\u0131rl\u0131yorum. Filmin ba\u015fka bir sahnesi i\u00e7in istenmi\u015fti diye hat\u0131rl\u0131yorum. Sonra ba\u015fka yerlerinde kullan\u0131ld\u0131 ve hatta filmle an\u0131lan \u015fark\u0131 oldu. Bir altyap\u0131 gelmi\u015fti Can ve Erdem den, ben de k\u0131sa s\u00fcrede s\u00f6zlerini ve vokal melodimi yazd\u0131m. Her zaman nasip olmaz bu kadar h\u0131zl\u0131 \u00fcretmek. O an ak\u0131verdi. \u0130lk yapt\u0131\u011f\u0131m\u0131z \u015fark\u0131 bu de\u011fildi, \u201cReviens\u201d ve \u201cYaln\u0131z\u201d daha \u00f6ncedir.<\/p>\n\n\n\n

Daha sonra k\u0131s\u0131tl\u0131 imkanlarla \u00e7ok m\u00fctevaz\u0131 \u015fekilde kaydedildi filmin t\u00fcm skor m\u00fczikleri ve \u015fark\u0131lar. Filmin bu kadar pop\u00fcler olaca\u011f\u0131n\u0131, soundtrack alb\u00fcm\u00fcn \u00e7\u0131kaca\u011f\u0131n\u0131, oradan ilerleyece\u011fimizi bilmiyorduk. Benim profesyonel olarak m\u00fczik yapmaya ba\u015flamam da bu vesileyle oldu. Filmin lansman partisiyle sahnede buldum kendimi.<\/p>\n\n\n\n

Ben \u201cMy Woman\u201d \u0131 kad\u0131n karakterin a\u011fz\u0131ndan yazd\u0131m. Kaan ve Zeynep\u2019in yak\u0131nla\u015fmas\u0131na dair\u2026 Ka\u00e7\u0131ngan olmaya, ba\u011flanmaktan korkmaya, kendini inatla saklamaya ra\u011fmen ke\u015ffedilme, g\u00f6r\u00fclme, anla\u015f\u0131lma ve sevilme arzusu. Yaral\u0131, yaln\u0131z, k\u0131rg\u0131n, gururlu insanlar\u0131n kendine ra\u011fmen sar\u0131l\u0131p sarmalanma ihtiyac\u0131.\u00a0 Bir a\u015fkla iyile\u015fme iste\u011fi, ge\u00e7ici bile olsa, bir umut\u2026 Akl\u0131mdaki duygular bunlard\u0131.<\/p>\n\n\n\n

Bu da san\u0131r\u0131m ana karakterlerin miza\u00e7lar\u0131n\u0131, \u015fehirli yaln\u0131zl\u0131\u011f\u0131, ba\u011flanma sorunlar\u0131n\u0131, g\u00fc\u00e7l\u00fc z\u0131rhlar ard\u0131ndaki k\u0131r\u0131lganl\u0131klar\u0131n\u0131 iyi yans\u0131tt\u0131. Sonunda berbat etseler de, o yak\u0131nl\u0131\u011f\u0131 y\u00fcrekten istediler ama sonunda yine kaybettiler. Can Gox ve Erdem Tarabu\u015f\u2019la beraber bu yal\u0131n ama pek i\u00e7ten ve g\u00fc\u00e7l\u00fc, efsanevi \u015fark\u0131y\u0131 yaratt\u0131k. Benim i\u00e7in \u00e7ok k\u0131ymetli.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 R\u00f6portaj: G\u00fclce Duru I Sanat\u00e7\u0131 ED\u0130T\u00d6RDEN 90\u2019lar\u0131n gecelerinde bir radyo frekans\u0131ndan yay\u0131lan o ses, yaln\u0131zca bir program de\u011fildi; uyumsuzlar\u0131n, uykusuzlar\u0131n, kaybolmu\u015f hissedenlerin s\u0131\u011f\u0131nd\u0131\u011f\u0131 alternatif bir [\u2026]<\/span><\/p>\n","protected":false},"author":270452333,"featured_media":7771,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"[]","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1638,1367],"tags":[1667,1669,1670,1671,1672,1378,1370,1668],"class_list":["post-7767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-psikomuzik","category-roportaj","tag-aile","tag-aile-danismanligi","tag-ataerkil-sistem","tag-cocuk-psikolojisi","tag-cocuk-ruh-sagligi","tag-elestirel-psikoloji","tag-psikoloji","tag-psikoterapi"],"yoast_head":"\nKaybedenler Kul\u00fcb\u00fc'nde \u015eark\u0131 S\u00f6ylemek - 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