{"id":9198,"date":"2026-09-04T02:53:33","date_gmt":"2026-09-03T23:53:33","guid":{"rendered":"https:\/\/psikopolitikdergi.com\/?p=9198"},"modified":"2026-09-04T03:08:49","modified_gmt":"2026-09-04T00:08:49","slug":"valahi-filmi-ve-buyukannemin-dili","status":"publish","type":"post","link":"https:\/\/psikopolitikdergi.com\/valahi-filmi-ve-buyukannemin-dili","title":{"rendered":"Valahi Filmi ve B\u00fcy\u00fckannemin Dili"},"content":{"rendered":"\n

Yazar: Psikolog Duygu Odak<\/strong><\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Ruhsal Mek\u00e2n olarak B\u00fcy\u00fckanne Kuca\u011f\u0131 ve Kay\u0131p Dil <\/strong><\/p>\n\n\n\n

Ninem Huri, babam\u0131n annesi ama ben ona, i\u00e7inde \u201canne\u201d s\u00f6zc\u00fc\u011f\u00fcn\u00fc bar\u0131nd\u0131ran ve g\u00fcnl\u00fck hayat\u0131mda pek de kullanmad\u0131\u011f\u0131m bir hitapla, \u201cb\u00fcy\u00fckanne\u201d diye seslenmek ve onu b\u00f6yle anmak istiyorum. Bunun daha \u00f6nemli oldu\u011funu hissediyorum.<\/p>\n\n\n\n

Annem ilk nesnemdi; fiziksel olarak vard\u0131 ama ruhsal olarak yan\u0131mda olmad\u0131 hi\u00e7bir zaman. Oysa psikanalitik a\u00e7\u0131dan bebe\u011fin ilk nesnesi olan anne, fiziksel varl\u0131\u011f\u0131yla de\u011fil, \u00e7ocu\u011fun hen\u00fcz ayr\u0131\u015fmam\u0131\u015f benli\u011fini ta\u015f\u0131yan; ona s\u00fcreklilik, temas ve g\u00fcven duygusu sa\u011flayan ruhsal bir nesne olarak varl\u0131\u011f\u0131n\u0131 hissettirmelidir. Annemin ruhsal yoklu\u011fu, ilk nesne ili\u015fkisinde bir bo\u015fluk yarat\u0131rken b\u00fcy\u00fckannem, o bo\u015flu\u011fu yaln\u0131zca sevgisiyle de\u011fil, annemin ger\u00e7ekle\u015ftiremedi\u011fi birincil kapsama i\u015flevini \u00fcstlenerek yerle\u015fmi\u015fti.<\/p>\n\n\n\n

Belki de bu y\u00fczden b\u00fcy\u00fckannemin kuca\u011f\u0131, s\u0131radan bir \u015fefkat alan\u0131 de\u011fildi. \u0130lk nesnenin eksikli\u011finde benli\u011fimin da\u011f\u0131lmas\u0131n\u0131 \u00f6nleyen, beni kapsanm\u0131\u015f ve sevilebilir k\u0131lan ilk ruhsal mek\u00e2nd\u0131. Annemin yoklu\u011funa kar\u015f\u0131 b\u00fcy\u00fckannemin sevgisi vard\u0131. B\u00f6ylece o, annemin yerini alan biri olmaktan \u00e7ok, ruhsal olarak yok olan ilk nesnenin baz\u0131 temel i\u015flevlerini ta\u015f\u0131yan, ikincil ama kurucu bir nesneye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc.<\/p>\n\n\n\n

Ben, b\u00fcy\u00fckannemin kuca\u011f\u0131nda yaln\u0131zca sevilen bir \u00e7ocuk de\u011fil; ilk kez ger\u00e7ekten bir ba\u015fkas\u0131n\u0131n ruhsal d\u00fcnyas\u0131nda yer bulan bir BEN olmu\u015ftum. Yer kaplam\u0131\u015ft\u0131m. Yank\u0131 buldu\u011fum bir evrenim vard\u0131. Bo\u015flukta sallanm\u0131yordum. Elbette, t\u00fcm g\u00fczel ve iyi \u015feyler gibi bu da k\u0131sa s\u00fcrd\u00fc. Babam\u0131 kaybettikten bir y\u0131l sonra, alt\u0131 ya\u015f\u0131mdayken b\u00fcy\u00fckannemi de kaybettim.<\/p>\n\n\n\n

B\u00fcy\u00fckannem K\u00fcrt\u2019t\u00fc ve K\u00fcrt\u00e7e konu\u015furdu. Bana tekerlemeler s\u00f6ylerdi. Ben anlamazd\u0131m; mal\u00fbm sebeplerden, bana \u00f6\u011fretmemi\u015flerdi. \u00c7ocuklu\u011fumdan hat\u0131rlad\u0131\u011f\u0131m nadir an\u0131lardan biridir bu. Y\u0131llar sonra, yabanc\u0131 dil \u00f6\u011frenmeye \u00e7al\u0131\u015f\u0131rken ve her seferinde bir yerde s\u0131k\u0131\u015f\u0131p kald\u0131\u011f\u0131m\u0131 fark etti\u011fimde, bir arkada\u015f\u0131ma, \u201cBir t\u00fcrl\u00fc \u00f6\u011frenemiyorum; i\u00e7imde bir yerde d\u00fc\u011f\u00fcmleniyor sanki,\u201d demi\u015ftim. Sonra b\u0131rakm\u0131\u015f, notlar\u0131m\u0131 bir kenara atm\u0131\u015ft\u0131m. Olmuyordu.<\/p>\n\n\n\n

Sonra bir g\u00fcn, b\u00fcy\u00fckannemin sesiyle bir tekerleme \u00e7al\u0131nd\u0131 kula\u011f\u0131ma. \u0130\u015fte o zaman anlad\u0131m: D\u00fc\u011f\u00fcm, b\u00fcy\u00fckannem Huri\u2019nin diliydi. Sevgiyi bildi\u011fim, anneli\u011fi g\u00f6rd\u00fc\u011f\u00fcm dil\u2026Evet, k\u0131sac\u0131k bir tekerleme. \u00d6nce benim olan\u0131 \u00f6\u011frenmeliydim. Hem yetim kalm\u0131\u015fl\u0131\u011f\u0131 benden iyi kim bilebilirdi ki? Ona sahip \u00e7\u0131kmal\u0131, boynu b\u00fcy\u00fck kalmas\u0131na izin vermemeliydim. B\u00fcy\u00fckannemi hak etti\u011fi gibi, kendi anadiliyle anmal\u0131yd\u0131m.<\/p>\n\n\n\n

Bu yaz\u0131, b\u00fcy\u00fckannemin an\u0131s\u0131na duydu\u011fum sayg\u0131, minnet ve sonsuz \u00f6zlemle; onun sevgisini \u00e7ocuklu\u011fumun en g\u00fcvenli haf\u0131zalar\u0131ndan biri olarak ta\u015f\u0131yaca\u011f\u0131m o sessiz vefa borcunu dile getirmek i\u00e7in yaz\u0131ld\u0131. Bu yaz\u0131n\u0131n, bir Valahi filminin psikanalitik incelemesinden \u00e7ok daha ba\u015fka bir i\u015flevi oldu\u011funu bilmeye hakk\u0131n oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum sevgili okur. Ve \u015fimdi ba\u015fl\u0131yorum.<\/p>\n\n\n

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Valahi: Bedende Ya\u015fayan Bir Haf\u0131za ve Kar\u0131n Gurultusu<\/strong><\/p>\n\n\n\n

Ba\u015frol\u00fcnde sevgili dostum Kerem F\u0131rt\u0131na\u2019n\u0131n oldu\u011fu ve yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 \u00fcstlendi\u011fi, y\u00f6netmenli\u011fini ve senaristli\u011fini ise Ali Kemal \u00c7\u0131nar\u2019\u0131n \u00fcstlendi\u011fi Valahi filmini be\u011fenerek izlemekle beraber, filmin bende a\u00e7t\u0131\u011f\u0131 kap\u0131larla y\u00fczle\u015fmemin, bunlar\u0131 anlamland\u0131rmam\u0131n ve i\u00e7imde sindirmemin hi\u00e7 de kolay olmad\u0131\u011f\u0131n\u0131 kabul etmem gerekir. Uzun zaman sonra konu\u015fulabilir ve anlat\u0131labilir d\u00fczeye gelip dile d\u00f6k\u00fcld\u00fc. <\/p>\n\n\n\n

Ben yine de sizi uyarmak isterim: Bu yaz\u0131da bir\u00e7ok kez dil kelimesi ile kar\u015f\u0131la\u015facaks\u0131n\u0131z. Meselemiz dil. Hem de anadil. Valahi, K\u00fcrt\u00e7ede \u201cbo\u015fluk\u201d anlam\u0131n\u0131 ta\u015f\u0131yan bir kelime; film de ad\u0131n\u0131 buradan al\u0131yor. Film, Hrant Dink\u2019in y\u0131llar evvel yap\u0131lan bir r\u00f6portajda, kendisinin de ba\u015fka bir kaynaktan al\u0131nt\u0131layarak anadili \u201ckar\u0131n gurultusu\u201d olarak nitelendirmesi \u00fczerine kurdu\u011fu eksenle, dili yaln\u0131zca k\u00fclt\u00fcrel bir aidiyet unsuru olarak de\u011fil, \u00f6znenin ruhsal kurulu\u015funun temel bile\u015fenlerinden biri olarak ele alan g\u00fc\u00e7l\u00fc bir psikanalitik anlat\u0131 sunuyor.<\/p>\n\n\n\n

Filmde Baran\u2019\u0131n kendi anadilini bilmemesi nedeniyle ya\u015fad\u0131\u011f\u0131 kar\u0131n gurultusunun, biyolojik rahats\u0131zl\u0131ktan \u00e7ok, bast\u0131r\u0131lm\u0131\u015f kimli\u011finin ve eksik b\u0131rak\u0131lm\u0131\u015f benlik deneyiminin bedensel d\u0131\u015favurumu olarak i\u015fledi\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Film boyunca ise bu gurultunun, Freud\u2019un \u201cbast\u0131r\u0131lan\u0131n geri d\u00f6n\u00fc\u015f\u00fc\u201d kavram\u0131yla ili\u015fkisini; konu\u015fulamayan, temsil edilemeyen ve sembolle\u015ftirilemeyen deneyimin bir semptom olarak bedene nas\u0131l geri d\u00f6nd\u00fc\u011f\u00fcn\u00fc izliyoruz.<\/p>\n\n\n\n

Filmde dil, yaln\u0131zca ileti\u015fimsel bir ara\u00e7 olarak de\u011fil, \u00f6znenin d\u00fcnyayla kurdu\u011fu ilk duygusal ba\u011f\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 olarak da i\u015fleniyor. Lacan\u2019\u0131n \u201cbilin\u00e7d\u0131\u015f\u0131, dil gibi yap\u0131lanm\u0131\u015ft\u0131r\u201d \u00f6nermesi a\u00e7\u0131s\u0131ndan de\u011ferlendirildi\u011finde Baran\u2019\u0131n ya\u015fad\u0131\u011f\u0131 sorun, yaln\u0131zca K\u00fcrt\u00e7e bilmemesi de\u011fil; arzusuyla, kimli\u011fiyle ve kendi \u00f6znel tarihiyle ili\u015fkili temel simgesel d\u00fczenden kopmu\u015f olmas\u0131d\u0131r.<\/p>\n\n\n\n

Anadilin eksikli\u011fi burada kelime eksikli\u011finden \u00e7ok, \u00f6znenin kurdu\u011fu ses evreninin kayb\u0131na d\u00f6n\u00fc\u015f\u00fcr. Bu nedenle kar\u0131n gurultusu, anlamdan \u00f6nce gelen ilksel sese; hen\u00fcz s\u00f6zc\u00fcklere d\u00f6n\u00fc\u015fmemi\u015f, bedensel ve ritmik bir haf\u0131za alan\u0131na g\u00f6nderme yapar. Bir ba\u015fka deyi\u015fle, dilin hen\u00fcz anlamdan \u00f6nce bedende duyuldu\u011fu o ilk zamana\u2026<\/p>\n\n\n

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Film, Hrant Dink\u2019in metaforunu psikanalitik d\u00fczlemde somutla\u015ft\u0131rarak, anadili bedende ya\u015fayan bir haf\u0131za bi\u00e7imi olarak temsil eder. Havin\u2019in, Baran\u2019\u0131n gurultusunu duymas\u0131 ve ard\u0131ndan K\u00fcrt\u00e7e konu\u015fmaya ba\u015flamas\u0131, aktar\u0131m ve kar\u015f\u0131aktar\u0131m dinamikleri a\u00e7\u0131s\u0131ndan da dikkat \u00e7ekicidir. Havin burada yaln\u0131zca terap\u00f6tik bir fig\u00fcr de\u011fil, Baran\u2019\u0131n bast\u0131r\u0131lm\u0131\u015f benli\u011fini bir s\u00fcreli\u011fine ta\u015f\u0131yan \u201c\u00f6teki\u201d h\u00e2line gelir. Baran\u2019\u0131n gurultusuna \u201cMizgin\u201d ad\u0131n\u0131 vermesi de yeniden do\u011fu\u015f ve sembolik tan\u0131nma i\u015flevi bak\u0131m\u0131ndan olduk\u00e7a k\u0131ymetlidir.<\/p>\n\n\n\n

Film bu noktada romantik bir \u201ck\u00f6klerine d\u00f6n\u00fc\u015f\u201d anlat\u0131s\u0131 kurmaz. \u00c7\u00fcnk\u00fc Baran, dili sonradan \u00f6\u011frense bile \u00e7ocuklu\u011fu, ge\u00e7mi\u015fi ve aidiyet duygusu ile tam manada b\u00fct\u00fcnle\u015femez. Julia Kristeva\u2019n\u0131n i\u015faret etti\u011fi gibi, \u00f6zne bazen kendi dilinde dahi s\u00fcrg\u00fcnd\u00fcr. Baran\u2019\u0131n trajedisi yaln\u0131zca dilini kaybetmi\u015f olmas\u0131 de\u011fildir; o dilin i\u00e7inde ya\u015fayabilece\u011fi \u00e7ocukluk deneyimini de yitirmi\u015f olmas\u0131d\u0131r..<\/p>\n\n\n\n

Belki de burada dilin neden yaln\u0131zca bir ileti\u015fim arac\u0131 olmad\u0131\u011f\u0131n\u0131 daha iyi anlayabiliriz. \u0130nsan bir dili sonradan \u00f6\u011frenebilir; kelimeleri ezberleyebilir, c\u00fcmleler kurabilir, gramerini kavrayabilir. Fakat dilin i\u00e7inde ya\u015fanm\u0131\u015f \u00e7ocuklu\u011fu sonradan \u00f6\u011frenemez. \u00c7\u00fcnk\u00fc anadil, yaln\u0131zca s\u00f6zc\u00fcklerin de\u011fil; sesin, ritmin, bak\u0131\u015f\u0131n, bedenin ve ilk ili\u015fkilerin de haf\u0131zas\u0131d\u0131r. Bu y\u00fczden b\u00fcy\u00fckannemin s\u00f6yledi\u011fi o k\u0131sac\u0131k tekerleme, y\u0131llar sonra bir dil \u00f6\u011frenme \u00e7abam\u0131n tam ortas\u0131nda yeniden kula\u011f\u0131ma \u00e7al\u0131nd\u0131. \u00c7\u00fcnk\u00fc baz\u0131 diller \u00f6\u011frenilmez. Baz\u0131 diller hat\u0131rlan\u0131r.<\/p>\n\n\n\n

Filmdeki \u00e7arp\u0131\u015fan arabalar r\u00fcyas\u0131 ve park edemeyen araba sahneleri de Baran\u2019\u0131n ili\u015fkisel kopuklu\u011funu simgesel d\u00fczeyde g\u00f6r\u00fcn\u00fcr k\u0131lmaktad\u0131r. \u00c7arp\u0131\u015fan arabalar\u0131n birbirlerine de\u011fmemeye \u00e7al\u0131\u015farak ge\u00e7meleri, yak\u0131nl\u0131k arzusuyla temas kuramama h\u00e2lini d\u00fc\u015f\u00fcnd\u00fcr\u00fcrken; park edemeyen araba, \u00f6znenin ruhsal olarak hi\u00e7bir yere yerle\u015fememesini simgeler. Baran ne dilde, ne ili\u015fkilerde ne de toplumsal hayat\u0131n i\u00e7inde kendine ait bir konum bulamaz. Bu y\u00f6n\u00fcyle film, modern \u00f6znenin k\u00f6ks\u00fczle\u015fmesini g\u00fcndelik imgeler arac\u0131l\u0131\u011f\u0131yla g\u00f6r\u00fcn\u00fcr h\u00e2le getirir.<\/p>\n\n\n

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Sonu\u00e7<\/strong><\/p>\n\n\n\n

Final sahnesi ise bana g\u00f6re a\u00e7\u0131k u\u00e7lu olmaktan \u00e7ok, filmin temel psikanalitik tezini tamamlayan bir son olarak kurulmu\u015ftur. Baran\u2019\u0131n gurultuyu Havin\u2019e aktarmas\u0131 ve ard\u0131ndan onu geri almak istemesi, semptomun yaln\u0131zca ac\u0131 veren bir unsur olmad\u0131\u011f\u0131n\u0131; ayn\u0131 zamanda \u00f6znenin kimli\u011finin ta\u015f\u0131y\u0131c\u0131s\u0131 h\u00e2line gelebildi\u011fini g\u00f6sterir. Lacan\u2019\u0131n semptomu \u00f6znenin hakikatiyle ili\u015fkilendiren yakla\u015f\u0131m\u0131 da burada belirginle\u015fir. Kar\u0131n gurultusu Baran i\u00e7in bilmedi\u011fi anadilin, \u00e7ocuklu\u011fun ve aidiyetin son izidir. <\/p>\n\n\n\n

Havin\u2019in bu u\u011fultuyu duymas\u0131na ra\u011fmen b\u00fct\u00fcn\u00fcyle anlamland\u0131ramamas\u0131 ise her aktar\u0131m\u0131n tamamlanamayaca\u011f\u0131n\u0131; baz\u0131 tarihsel ve k\u00fclt\u00fcrel yaralar\u0131n tam anlam\u0131yla sembolle ifade edilememe olas\u0131l\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcr.<\/p>\n\n\n\n

Belki de baz\u0131 \u015feyler anlat\u0131lmak i\u00e7in de\u011fil, duyulmak i\u00e7in vard\u0131r. Bir kar\u0131n gurultusu bir tekerleme bir b\u00fcy\u00fckannenin sesi gibi\u2026 Sonu\u00e7 olarak Valahi, anadilin kayb\u0131n\u0131 yaln\u0131zca politik bir mesele olarak de\u011fil; bedensel, ruhsal ve varolu\u015fsal bir eksiklik olarak ele alan g\u00fc\u00e7l\u00fc bir psikanalitik anlat\u0131 olarak okunabilir. Film, dilin kayb\u0131yla birlikte yaln\u0131zca s\u00f6zc\u00fcklerin de\u011fil, \u00f6znenin kendisini, kurdu\u011fu ilk ses evreninin, \u00e7ocuklu\u011fun ve aidiyetin de nas\u0131l kaybedilebilece\u011fini g\u00f6steriyor.<\/p>\n\n\n\n

Ve ben bu filmi izlerken, Baran\u2019\u0131n kar\u0131n gurultusunun i\u00e7inden kendi \u00e7ocuklu\u011fumun sesini duydum. B\u00fcy\u00fckannemin K\u00fcrt\u00e7e s\u00f6yledi\u011fi o k\u0131sac\u0131k tekerlemeyi\u2026 Y\u0131llarca anlam\u0131n\u0131 bilmedi\u011fim, fakat nedense hi\u00e7 unutmad\u0131\u011f\u0131m o sesi\u2026 Belki de mesele tam olarak buydu. \u00d6ncelik senin olan\u0131 \u00f6\u011frenmek de\u011fil; \u00f6ncelik senin olan\u0131 hat\u0131rlamak.<\/p>\n\n\n\n

Bu yaz\u0131 da, b\u00fcy\u00fckannemin an\u0131s\u0131na duydu\u011fum derin sayg\u0131, sonsuz \u00f6zlem ve minnetle; onun bana b\u0131rakt\u0131\u011f\u0131 kelimelerden \u00e7ok daha eski o dili yeniden hat\u0131rlama \u00e7abas\u0131d\u0131r. Ve belki de y\u0131llar sonra, onun sessizce b\u0131rakt\u0131\u011f\u0131 o mirasa sahip \u00e7\u0131kman\u0131n; ona kendi anadiliyle, hak etti\u011fi yerden yeniden seslenmenin k\u00fc\u00e7\u00fck bir yoludur.<\/p>\n\n\n\n

Ciran Ciran Hu!<\/p>\n\n\n\n

\u2014Ciran , Ciran!<\/p>\n\n\n\n

\u2014 Hu, hu!<\/p>\n\n\n\n

\u2014 Kur\u00ea te hat?<\/p>\n\n\n\n

\u2014 Hat.<\/p>\n\n\n\n

\u2014 \u00c7i an\u00ee?<\/p>\n\n\n\n

\u2014 Mirar\u00ee ve morik.<\/p>\n\n\n\n

\u2014 Ji k\u00ee re, ji k\u00ee re?<\/p>\n\n\n\n

\u2014 Ji te re, ji me re.<\/p>\n\n\n\n

\u2014 Din ji k\u00ee re?<\/p>\n\n\n\n

\u2014 Ji pis\u00eeka re\u015f re.<\/p>\n\n\n\n

\u2014 Pis\u00eeka re\u015f li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 \u00c7\u00fb ser dar\u00ea.<\/p>\n\n\n\n

\u2014 Dar li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 Tevr\u00ea (balte) bir\u00ee.<\/p>\n\n\n\n

\u2014 Tevber li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 Ket nav av\u00ea.<\/p>\n\n\n\n

\u2014 Av li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 \u00c7\u00eal\u00ea (\u00e7\u00ealek\u00ea) vexwar.<\/p>\n\n\n\n

\u2014 \u00c7\u00eal li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 Reviya \u00e7iya.<\/p>\n\n\n\n

\u2014 \u00c7iya li ku der\u00ea ye?<\/p>\n\n\n\n

\u2014 \u015eewit\u00ee, qediya, b\u00fb xwel\u00ee!<\/p>\n\n\n\n

B\u00fcy\u00fckannem Huri\u2019nin an\u0131s\u0131na\u2026<\/p>\n\n\n\n

Sayg\u0131, minnet ve sonsuz \u00f6zlemle<\/p>\n\n\n\n

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<\/p>\n\n\n\n

<\/p>\n\n\n\n

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<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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[\u2026]<\/span><\/p>\n","protected":false},"author":270452333,"featured_media":9220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"[]","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1626,1632],"tags":[1378,1795,1444,1796,1797,1370,1799],"class_list":["post-9198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel","category-kultur-sanat","tag-elestirel-psikoloji","tag-film-psikolojisi","tag-politik-psikoloji","tag-psikanaliz-ve-sinema","tag-psikesinema","tag-psikoloji","tag-valahi-filmi"],"yoast_head":"\nValahi 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